A big problem with the FS7 was the menu operation. This is camera shake. Thank you. It was just far more usable on the FS5. If the lens provides 3-axis stabilization, the camera provides the other 2. The venerable old original C300 is still an option that is widely accepted in production and can now be had for not more more than the FS5. The FS5 doesn’t offer as many codec options as the FS7, though, which has its upsides and downsides. In-camera image stabilization offered one big advantage over the traditional lens-stabilization technology – image stabilization worked with any lens, even with old film lenses. It wasn’t just bills and circulars on my doorstep last week: Sony’s new FS5 also arrived for testing. Sensitivity ISO Rating: 3200 (S-Log3 Gamma) Clear Image Zoom, which uses a smaller area of the sensor and some electronic wizardry to effectively increase the focal length of your lens, is a very welcome addition. I took pictures with long and short shutter speeds. It distorts a little at the wide end, but thanks to the camera’s electronic in-camera distortion correction, the lens doesn’t produce the severe pincushion distortion that it exhibits on some other Sony cameras. In fact you can use the FS7 EVF on the FS5 if you wanted. And if the kit lens doesn’t appeal then Sony’s E-mount offers a great deal of flexibility in terms of what you can hang off the front of the FS5, from the latest Canon EF glass to cheap vintage primes. The company is marketing it not just as a grab-and-shoot camera but a ‘handheld hero’ – so would it live up to the hype? Weight Body Only:  29.2 oz / 827.8 g I wish that the kit lens had mechanical focusing instead of electronic. The only major weak points of the FS5 are the slow autofocus and lack of higher bitrate intra frame recording. The third camera in Sony’s Cinema Line, the Sony FX6 is a full-frame cinema camera that's lightweight and fully featured. To begin with I started with comparing the Canon 24mm f/2.8 IS on the Canon 5DS R vs the Sony 28mm f/2.0 on the Sony a7R III. The only problem is that Vocas aren’t sure they are actually going to make it. If you do want to rig up the camera there are several hurdles to overcome. Joe Simon from The Delivery Men has done just that and had this to say via email: “So I’ve setup my FS5 on the Movi 10. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. I used different apertures. Because of the cost, we would most definitely label the ideal users of the FS5 as professional. It can record 8-bit, 4:2:0, XAVC-L QFHD (3840×2160) files. But the edge goes to Sony here, because you can choose 4K if you really want the resolution. Shooting in UHD 4K with its Super 35 image sensor, its image quality is superb. Shutter speeds are variable as well, though, so it is possible to shoot NTSC in a PAL country and vice versa. Had the image stabilization been turned on or shot at above 1/100th of a second at a higher ISO,this image may have … Sony has other full frame lenses in this focal range, like the 24-70mm full frame f/2.8 lens, but it's heavier, twice as expensive, and doesn't have image stabilization. One question that is just becoming more and more popular is based around the best gimbal for Sony fs5 camera users so we have decided to make this the subject for today’s article. Another thing I noticed is that my version of VLC wouldn’t play the MXF files from the camera. For stills only? S&Q mode allows continuous shooting at up to 60 fps in 1080P and there’s a buffer-based system to record up to eight seconds in full HD at 240 fps. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. There’s also a Centre Scan sensor crop mode that allows compatibility with Super16 lenses, or 2/3 b4 ENG lenses with a MTF b4 to S16 E-mount adapter. A native ISO that high is a big bummer. The LCD for the PXW-FS5 is the same as the FS7, however unlike with the PXW-FS7 where it felt lightweight and cheap considering the cost of the camera, the LCD fit the smaller form factor better and felt more in line with the value of the camera. So although it’s a world camera, it makes shooting at 240fps harder if you are a PAL user – you’ll need a card specially for that speed. Gyro stabilization is becoming a standard for Sony cameras. But the only other two Sony lenses I have to compare it against are the 35mm (SEL35F18) and 18-105mm kit lens (SELP18105). This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. The C100 has a 4K sensor but only gives you the option of HD. It can record 8-bit, 4:2:0, XAVC-L QFHD (3840×2160) files. It’s a tug of war between the $3,500 a7S III and the $11,000 FX9. Audio Recording Format: XAVC Long, Linear PCM 2, ch, 24-bit, 48kHz, AVCHD, Linear PCM – 2 ch, 16-bit, 48kHz, Dolby digital – 2ch, 16-bit, 48kHz It’s amazing how just a few adjustments differentiate this camera’s feel so much from the FS7. It’s really everything that would improve photo-first cameras. As well as using the usual mount point on the front of the camera you can also put it at the rear of the handgrip, or on top of the camera when the handgrip is removed – which may be useful on a brushless gimbal, for instance. Read more Read less | Edit. The good news is that in HD at least internal recording should hit most broadcast specs for HD delivery – not something you can say about the C100 Mk II. Due to this, it is proven to be an extremely popular option amongst the advanced videography and cinematography communities with many people opting to use the fs5 as their go-to camera body of choice. This time though, image stabilization was off and camera shake became very apparent. There are several mount points on the rear of the grip, and you can turn one into a cold shoe with an included adapter. 'Image Stabilizer' denotes whether the camcorder has an Image stabiliser system - a function that smooths out the movement of the camera. The camera body weighs a mere 830g (1lb 13.2 oz), but it’s built solidly. The leading smartphones like the iPhones have had it for a long time, as some other action cams also have it; the Sony FDR-X3000, for instance, uses optical stabilization where the lens moves to compensate for vibration, which is a different way of tackling it. Before trying it out this week it I hadn’t realised that it’s actually small enough to work with accessories aimed at DSLRs, rather than you having to build out a large rig as you would need to for its bigger brother the FS7. It’s easy to love this camera. Image rendering is great, bokeh is nice, stabilization is missing, build quality above par. Rotating the grip was easy, which made it possible to quickly find the optimal grip no matter the shooting angle. We shot in the picture profile 1 — one of the six standard picture profiles on the camera. Packed with a slew of pro-grade video features such as 24MP Full-Frame Exmor Sensor, UHD 4K30p video with HLG and S-Log3 Gammas, built-in 5-Axis image stabilization, and insane low-light capabilities, it’s no surprise that the offering is one of the best selling mirrorless cameras … The ergonomics are much better, the camera balances well and the screen placement is good for run-and-gun. Effective Picture Size: (H x V) 3840 x 2160 It’s so great that Sony has so many 1/4-20 options on top of the camera. First impressions are very good. The press release seems to … The Variable ND is a different story: it’s one of the most innovative features of the camera and I was pleased to find that it works well. Sensor based image stabilization is one of the most useful features that you can have in an ILC. Every new camera they’ve released from the FX9 to the A7C has incorporated this fantastic, new method of post stabilization. For a camera this small it would have been nicer to see a charger that fits in your bag more easily. For mirrorless cameras, Olympus, Sony, Pentax, Panasonic (some models) all have it built-in. If you’re starting out with the Sony FS5, and going for a cinematic look, here’s a setup guide that will have you up and rolling fast.. Codec. Even third-party legacy lenses can easily benefit from stabilization, although you have to manually enter the focal-length into the camera. The FS5 combined with the Convergent Design 7Q+ recorder/monitor gives us a 10 bit signal and using the Redrock Micro Remote thumbwheel/wireless controller on the Movi 10 gives us full focus control. Check out the article if you are on a budget. The size of the camera made it easy to pack and carry on to our flight. These are quite close to the handle and so it makes it difficult to use them to mount Noga arms. Integrated lens and image sensor motion. The advanced image stabilization information means handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look smoother. Every new camera they’ve released from the FX9 to the A7C has incorporated this fantastic, new method of post stabilization. Luckily I edit mainly in Premiere so it was easy for me to work with the footage. Co-founder of Newsshooter, Dan Chung has over 20 years of experience working behind a camera. I shot a lot of REC.709 footage with the camera in 10-bit HD 4:2:2 and it seemed to hold up pretty well when I tried some rough grading on it. Sony’s image stabilization reduces the effects of camera shake. However, this lens works well with Sony’s in-body image stabilization (IBIS), so that gives you some form of stabilization. Because of its handle, it was easy to carry when not shooting. And internal zoom means the front of the lens does not extend, so it will not interfere with your matte box. File Format: XAVC HD REC FORMAT: 1080/24p 50Mbps XAVC HD will give you the best quality image this camera is capable of, in gorgeous 10-bit, which can withstand a lot of color grading without getting noisy. We started our PXW-FS5 experience packing the camera up for a trip across the country, where we had the distinct pleasure to shoot in New York City for some of our tests. I’d seen the camera several times before, but this was a final production model and I was keen to try it out it in a real world environment. It also offers Optical Image Stabilization. We were discouraged at the minimum native ISO of 1,000 and even more unwelcome is the minimum ISO of 3,200 in S-Log3. Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. Once your shutter speed is above around 1/500th of a second, image stabilization won’t really improve your images. The viewfinder is OLED and, in times where the LCD fell short, it was nice to have another option. Audio Input: 2 x 3-pin XLR I used different apertures. But for the majority of solo shooters the little Sony FS5 should fit the bill just fine. The 1.56 million dot flip out screen is nice and clear and looks very similar in quality to the one on the FS7, but lacks the loupe attachment to turn it into an EVF. The only downside is the size of the battery charger – it hasn’t changed since the EX1. With newer systems like the A7R mark 4, the Sony FX9 and FX6 video cameras the autofocus is not working as fast as native Sony lenses: the Art lenses use contrast detection … You could use a stick-on mounting frame, but the screen mount isn’t strong enough to take the weight of Zacuto’s Z-finder and it would flop around. Click here to contact a sales representative and request a media kit. The setup is still relatively light and the footage looks awesome! Vocas make a nice top cheeseplate that attaches to a PL mount support bracket it you want to use the FS5 in a more cinema-camera style. Image stabilization The main feature that this lens lacks is image stabilization (IS). If we were to buy this camera, we’d buy it without the kit lens. Select REC SET from in/out menu, and choose:. Thats a lot of light to compensate for. A site for working professionals in the TV & Film industry. The Newsshooter forums have just launched. This is not a thread about whether it should have IS or if it needs IS, but whether it has it or not and to what extent it has it. I enjoyed reading your article about the FS5, a camera I recently purchased, but since I am new at video I went with the kit lens. HDMI 2.0: 1 x Type A At release, the MSRP of $6,700 puts the FS5 in the same space as the Canon C-100 Mark II at an MSRP of $5,700 and the Blackmagic Design URSA Mini 4.6k at $4,995. Beyond any doubt, Sony A7III is regarded as one of the most talked-about mirrorless cameras in 2018. The FS5 boasts a 4K Super 35 Exmor sensor, an E-mount, an adjustable “Smartgrip” handgrip (Smartgrip), and both an EVF and adjustable LCD panel. When a lens does not provide any stabilization, the body provides all stabilization. Instead, it can actually have a detrimental effect on the sharpness of the image because of the moving elements in the lens. Dual XLR inputs FS5 II has two XLR connectors – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal. Does the SONY RX1 have image stabilization? The 18-105mm is a constant f4 aperture, which is a big plus compared to many other zooms of its type. There are several mirrorless cameras that would get you into UHD 4K at less than half the cost of the FS5. You can shoot even higher speeds – up to 960 fps at reduced resolutions although this is a feature I have yet to fully test. Learn about the Image Stabilization of the Sony Alpha a6300 with this FAQ video. Internal SD card, 2. Compared to these two cameras in this price range, the FS5 is a greater value and offers very few weaknesses when compared to both the C-100 Mark II and URSA Mini 4.6k. Media Card Slots:  1 x MS/SD (dual Memory Stick/SD) We shot with the Sony E PZ 18-105mm f/4 G OSS, the kit lens for the PXW-FS5. What the Sony FX6 will cost is a little up in the air as well. If you don’t want to shoot S-Log and have to grade your footage, the FS5 does make a lovely picture when shooting with the Cinegammas that can be used ‘as is’. This is the same 14.4v BP-U battery type as the EX-1, EX-3, F3 and FS7 so if you’re an existing user of one of those cameras you’ll be able to use your existing batteries. Sony FX6 reviewed – the lowlight cinema camera champion, A hands-on review of the GoPro HERO9 Black, Sigma fp review: An odd but capable cinema camera with potential, The best lights for video production — 2020. An unfortunate aspect of the PXW-FS5 is that the minimum ISO for non S-Log picture profiles is still high at 1,000. I felt that the kit lens would be easy to work with while learning about the FS5. Rigging the Sony FS5 Sony have clearly designed the FS5 with handycam-type use in mind. That gives you the ability for 40x slowmo — impressive! However, lenses with their own image-stabilization systems (marked OSS) are compatible with image-stabilized bodies too. All you need are SD cards. Recording Format: XAVC Long, XAVC Proxy, H.264 / AVC, 4:2:0 8-bit, MP4 wrapper, AVCHD 360-degree video is a brand new medium driven by new 360 camera technology. Both cameras have a superb image, resolution wise. The FX6 comes with all of the bells and whistles that the FS5 II, but has a larger sensor, new media options, higher frame rates, XAVC-I 10bit 422 internal capture and new mounting options. The handgrip’s cable is short so you will need an extension if you want to use the grip anywhere other than attached to the side of the camera. As with other Sonys you have to format a card in either PAL or NTSC. The adjustable handgrip feels good in the hand and should be comfortable even after long periods of shooting. There is no way to have only one. This is what Sony says about Clear Image Zoom. The built-in OLED EVF is just OK. We feel that the Sony PXW-FS5 has great build quality, image quality and value compared to its competition. The picture quality is superb and the form factor is easy to use — but those things don’t come cheap. One bit of good news is that the settings info will still be displayed on the camera’s built-in screen even if the image is not. The nice thing about this camera is that it doesn’t require overly-expensive media. click below to purchase a Sony PXW-FS5: I would happily use these for 10-bit HD shooting, but for 4K it might be a bit of a push to get really good results. There are also 51 lenses with weather sealing for A7R IV that you can couple with its weather sealed body. Lots more detailed thoughts on the camera in a moment, but if you want the short version it’s this: The FS5 is the ultimate fusion of DSLRs and old school video cameras like the Sony EX1. PXW-FS5 camcorder pdf manual download. If you have a great idea you’d like to share with our readers, send it to editor@videomaker.com. If you want to use the handgrip on a rig you will need to buy special adapters from Sony that add an Arri-style rosette to it, then add a grip relocator. Turn off the engine and all is well. The body is so light that it does make it hard to use zoom lenses on the Movi but I’ve created a great setup that proves to be very powerful. I have two lenses with image stabilization, one is a 24-105 mm f/4 and the other is a 70-200 mm f/2.8. If yes, how does the image stabilization compare to A5100 lens?” Asked by Anonymous 5 years ago. This was a temporary setback, however, as we quickly adapted our muscle memory and found it to be very intuitive. Image stabilization is one of the most important features in a digital camera. It records via SD card and is equipped with two card slots. Turning off stabilization on either the lens or the camera turns it off for both. There’s room in the camera for two SD cards, which can be set to duplicate recordings, run in sequence or even shoot 4K on one and low res proxies on the other. The PXW-FS5 is the PXW-FS7’s little brother, offering many of the same options with a smaller, more compact form-factor. It has a power zoom function with a consistent aperture through the throw of the lens. Plus, the FS5 comes with clear image zoom which is fantastic, but didn’t work when shooting HFR. The PXW-FS5 has a Super 35 Exmor CMOS image sensor — the same size as the PXW-FS7. Chris Monlux is a native of Northern California and is Videomaker’s Multimedia Editor. In other words you can’t record internally and externally plus use the camera’s EVF or screen while in 4K – in HD its not a problem. Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS However, I tested the manual focus with the kit Sony 18-105mm lens and found it pretty hard to use accurately. Beyond any doubt, Sony A7III is regarded as one of the most talked-about mirrorless cameras in 2018. Lastly, it’d be awesome for Sony to give this high-end camera a full frame sensor, but now we’re just dreaming. The SDI output is 10-bit 4:2:2 HD, but has no 4K option. Autofocus is there on the FS5, but don’t expect the confident, fast performance of a Canon C-series camera with Dual Pixel CMOS AF. It's official. The Sony FX9 has a brand new buddy, the FX6, which promises to be just as, if not even more, popular.. Once in New York City, we shot around and in the High Line urban park area. Gain Selection:  0, 3, 6, 9, 12, 15, 18, 24,27, 30dB, He shot the first news video on a DSLR and has been on staff at Reuters, The Guardian and CNBC. The only camera I would consider to be a worthy alternative for handholding is Canon’s C300 mkII at almost three times the cost – which is worth considering if you really need high bitrate internal 4K recording, Canon colour science and fast autofocus. There are also several 1/4 20 mounting holes along the top of the camera. There is also an MI shoe at the front of the grip that allows you to add a Sony wireless mic or light. Sony A7R IV is at the top of our list with a Overall Score of 99, followed by Sony A7R III and Sony A9 II. For this review we shot on two Sony U3 Class 10 SDXC I SD cards. If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. It was very slow to respond and just not conducive to changing any menu option quickly. Sadly, replacing the Sony top handle has a big downside – you will lose a channel of XLR audio and the other controls on the grip. The FS5 boasts a 4K Super 35 Exmor sensor, an E-mount, an adjustable “Smartgrip” handgrip (Smartgrip), and both an EVF and adjustable LCD panel. A camera with fewer high-end options and a lower price tag might fit the bill a lot better. Auto focus, stabilization and auto iris if required. As a B-camera on larger productions the FS5 should work well in places where you might previously have used a DSLR, GH4 or Sony a7S. Nailing the exact point of focus is difficult and you end up spinning the dial frantically if you want to rack quickly from one end of the focus range to the other. If you’re used to DSLRs and mirrorless cameras, then you might also be happy to find that the FS5 is not bogged down by having a 30 minute record time limit, a short battery life or any overheating issues, and it has 2 XLR inputs. We had a couple of hours on a grey and windy London afternoon to film the short video, which will be out in a few weeks. 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